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Piano Biomechanics

Investigating the body's role in musical expression

About us

       We are a team of pianists and scientists at MIT studying the embodiment of musical expression in elite pianists. Each pianist brings a unique blend of physical ability, talent, training, and artistic vision. Yet, what unites them all is their remarkable ability to deliver living, breathing performances that move audiences deeply. We are investigating the intricate and intimate relationship between the evoked sound and the fluid body mechanics that shape musical expression.

Meet the Team

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Mi-Eun Kim

Principal Investigator

Director of Keyboard Studies

MIT Music and Theater Arts

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Praneeth Namburi

Principal Investigator

Research Scientist

MIT Institute for Medical Engineering and Science

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Logan Skelton

Consultant

Arthur F. Thurnau Professor of Music

University of Michigan

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Aljoša Jurinić

Research Assistant

Visiting Student

MIT Institute for Medical Engineering and Science

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Sean Yang

Consultant

Visiting Student

MIT Music and Theater Arts

The big idea

We hypothesize that the musicality, efficiency, and perceived fluency

of movements in elite pianists stem from the body's inherent elastic mechanisms.

The spark

In Fall 2023, during a pilot workshop at the MIT.nano Immersion Lab, we used ultrasound imaging to observe the inner workings of elastic tissues—networks of connective tissue not under direct voluntary control—in a pianist's forearm while they performed

Chopin's Etude Op. 10 No. 8.

Read more about it here

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Get involved

We invite pianists, competition organizers, music schools, and conservatories to join us in this groundbreaking research. Whether you're interested in participating in our studies, hosting us, or collaborating on research projects, we welcome the opportunity to work together.

© 2025 by Mi-Eun Kim and Praneeth Namburi

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